With these two tweaks, the image is looking pretty good, but we’re not quite done, yet. If you’re keying a person, adding shadow will make the subject appear more natural compared to a very hard key. Bumping up the Shadow parameter will add softness to the edge of your matte - or a “shadow” of the edge. It cleans up the background and makes it completely black in this alpha view. Moving the Pedestal slider up will completely remove your green screen from the clip. This is a key part of helping you refine your hair.Next, to clean up the background (in black) adjust the Pedestal slider. If we turn off the key light effect, you can see that it turned the background into kind of a neutral gray background and that's how it got rid of the green spill in the hair. It's pretty amazing because all the tool did was neutralize the green screen. Just turn on the advanced spill suppressor that's it! The green just disappears automatically. If you find that you’re still seeing green in the hair, this is where you’re going to use the advanced spill suppressor which is super magical. The Magic of Advanced Spill Suppressor ( 8:04 ) You don't want the jacket to also have soft edges because the key cleaner also affects all edges of the body, so I recommend to lower the edge radius so that way the the edges are not too soft. Use the hand tool to go around and see how the edges of the jacket are doing. Also, be sure to look at the rest of your subject. If you lower it too much, you can see that the edges start to get a little bit too jagged as well. If you don't want as soft as an edge around the edges of the hair you can reduce the edge radius. But what's really cool about the key cleaner is you can turn off the chattering by checking the box “reduce chatter".” And now when you play back you can see almost all of that chattering is gone just by checking the box. Keylight is confused because the hair is so soft that it's not sure what is transparent and what's not. As you zoom in and use the H key on your keyboard, ( the hand tool to move around), you can see that some refinement is needed around the edges of the subject.Īnd now when you play it back, you can see that there's this awful chattering animation around the hair. Use the dropper tool to select the key color and try to select a medium green color, one that's not too dark or not too bright, and choose it closer to the hair of our subject. Drag and drop this on to the video clip and now from effect controls you can see that all three effects are applied.For now, just turn off the key cleaner and make sure that the advanced spill suppression is off as you will focus on the key light effect first. You can apply the key light effect by itself but instead choose the preset which also includes the key cleaner and the advanced spill suppression. Next you will go to Effects and search for Key Light. You can get 15% off BorisFX products with my code: premieregal2020 Working With Keylight ( 3:27 ) You can also use it Mocha Pro with Premiere Pro.
Mocha, by BorisFX which is built into after effects.
#After effects vs premiere pro green screen software
Tip: If you're dealing with a more complex shot, you may want to use another advanced tracking software called. Once you get all the way around, close it off and now you have your mask.
If you want to make a curved line, you're just going to click & hold and It will make a curved line which you can adjust. Begin by going to the pen tool and clicking around your subject. By creating a mask, you are isolating the part of the green screen that the person is in. So the first step is creating a mask around your subject. Today you can read all about removing green screen & spill within Adobe After Effects and we’ve included the video time-codes next to each step. Now you may be wondering, why not use Premiere Pro for this? Great question! The Keylight tool in After Effects is superior to the Ultra key effect in Premiere Pro because the effect gives you more control and it includes other some effects to produce a more realistic key. Fear not! There is a way to work through this difficult challenge with a few tools and presets within Adobe After Effects. After removing the green screen you might end up giving the subject a really bad haircut that does not look natural at all. This task can be particularly tricky because the green screen is tangled or mixed within hair. One of the most difficult tasks when working with a Green screen is working around hair.
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